Andy Bockelman columns
If you’re familiar with the author of “Paper Towns,” you may be expecting the new film adaptation to reach for the “Stars.” But, it doesn’t — it charts its own course, which upon watching the film, you’ll realize is just fine.
There’s a universal language in comedy that people intrinsically understand. Whether it’s someone flirting with a fire hydrant or getting repeatedly smacked in the face to remove a bee, some characters and situations are just unavoidably funny. Don’t bother to question it; just watch a movie like “Minions” and know your intuition to chuckle is correct.
If Jiminy Cricket had any actual power as a conscience, his story might have gone a lot quicker. Then again, when you’re given a computer console that can make someone cry, grin or throw a tantrum like in “Inside Out,” it can get even trickier.
The message of “Jurassic World” and all the movies that preceded it is to show what happens when mankind plays God. Perhaps the greater sin that comes in the newest installment, though, is the mistake of trying to play Spielberg.
The new movie “Aloha” may have the most appropriate title of the summer. Within minutes of saying “hello” to the film with a name that has two meanings, you’ll want to say “goodbye.”
Music and comedy go together well when they both work, but it can be tricky to stay original. And, while “Pitch Perfect 2” has both these elements in abundance, it’s hard not to consider it as being on a loop.
How do you top the biggest superhero moneymaker of all time? Can it be done? Should it be done? In reverse order, no, yes, and in the instance of “Avengers: Age of Ultron,” it shouldn’t be about being bigger and better, because that’s where so many have run into trouble before. But, since when has that ever stopped Hollywood?
There are plenty of pieces of history from the last century that need to be told, whether in books, film or other media. And, as important a chapter of the years past the events of “Woman in Gold” may be, its presentation still leaves something to be desired.
Somehow, they made it a heptalogy, all without ever once using a word on screen with that many syllables. Somehow, it became The Most Important Movie in the World. And, somehow, “Furious 7” is entirely enjoyable.
The definition of “Home” means something different to everyone, but for most of us, it’s likely not a place where you use your toilet brush in your mouth and chug motor oil as a beverage. Some visitors may disagree.
“The Divergent Series: Insurgent” may not go in an entirely new direction, but as a bridge between two other movies, at least it holds up even with the shaky foundation with which it started.
The newest adaptation of “Cinderella” has the unfortunate situation of two confining glass slippers, each made from different but demanding audience expectations. Whichever of these shoes fits best, the other probably won’t be happy.
If you own corrective eyewear, and you’re planning to see the film “Focus,” you may just want to leave your glasses or contacts at home. Watching it as a total blur can only be an improvement.
When someone tells you “manners maketh the man,” they’re probably inclined to lecture you about etiquette. When the hero of “Kingsman: The Secret Service” tells you that, he’s about to smash a glass in your face and beat you and your entire group of friends within an inch of your lives.
Earlier this month, the Super Bowl finished off the pro football season to the consternation of sports junkies, and this weekend comes the equivalent of the Big Game for cinephiles. The 87th Academy Awards will include just as many gripes and pleasant surprises alike as the best in film for 2014 are honored.