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Steamboat Movie Times

Wildhorse Stadium Cinemas
655 Marketplace Plaza
970-870-8222
www.metrotheatres.com

May 8 to May 14

“The Age of Adaline” PG-13
5 and 7:30 p.m. Friday
1:45, 5 and 7:30 p.m. Saturday and Sunday
5 and 7:30 p.m. Monday through Wednesday
5 p.m. Thursday

”Ex Machina” PG
5:30 and 8:15 p.m. Friday
2:40, 5:30 and 8:15 p.m. Saturday and Sunday
5:30 and 8:15 p.m. Monday through Thursday

”Furious 7” PG-13
4:30 and 7:45 p.m. Friday
2, 4:30 and 7:45 p.m. Saturday and Sunday
4:30 and 7:45 p.m. Monday through Wednesday
4:30 p.m. Thursday

“Avengers: Age of Ultron” PG-13
5:45 p.m. 3-D Friday
2:30 and 5:45 p.m. 3-D Saturday and Sunday
5:45 p.m. 3-D Monday through Thursday
4:45, 6:30 and 8 p.m. 2-D Friday
1:30, 3:30, 4:45, 6:30 and 8 p.m. 2-D Saturday and Sunday
4:45, 6:30 and 8 p.m. 2-D Monday through Thursday

”Pitch Perfect 2” PG-13
7:30 p.m. Thursday, May 14

“Mad Max” R
7:45 p.m. Thursday, May 14


May 15 to May 21

”Pitch Perfect 2” PG-13
5:30, 7 and 8:15 p.m. Friday
1:20, 2:50, 5:30, 7 and 8:15 p.m. Saturday and Sunday
5:30, 7 and 8:15 p.m. Monday through Thursday

“Mad Max: Fury Road” R
4:30 p.m. 3-D Daily
7:15 and 8:30 p.m. Friday
1:45, 7:15 and 8:30 p.m. Saturday and Sunday
7:15 and 8:30 p.m. Monday through Thursday

“The Age of Adaline” PG-13
5 and 7:45 p.m. Friday
2:15, 5 and 7:45 p.m. Saturday and Sunday
5 and 7:45 p.m. Monday through Wednesday
5 p.m. Thursday

”Ex Machina” PG
4:20 p.m. Friday
2:40 and 4:20 p.m. Saturday and Sunday
4:20 p.m. Monday through Thursday

“Avengers: Age of Ultron” PG-13
4:10, 5:20 and 7:30 p.m. Friday
1, 4:10, 5:20 and 7:30 p.m. Saturday and Sunday
4:10, 5:20 and 7:30 p.m. 3-D Monday through Thursday

“Poltergeist” PG-13
8 p.m. Thursday, May 21


May 22 to May 28

”Tomorrowland” PG
4:30, 5:35 and 7:30 p.m. Friday
1:40, 2:40, 4:30, 5:35 and 7:30 p.m. Saturday through Monday
4:30, 5:35 and 7:30 p.m. Tuesday through Thursday

“Poltergeist” PG-13
4:50 p.m. 3-D Daily
7:15 and 8:30 p.m. Friday
2:50, 7:15 and 8:30 p.m. Saturday through Monday
7:15 and 8:30 p.m. Tuesday through Thursday

”Pitch Perfect 2” PG-13
5:25 and 8 p.m. Friday
1:30, 5:25 and 8 p.m. Saturday through Monday
5:25 and 8 p.m. Tuesday through Thursday

“Mad Max: Fury Road” R
5:10 p.m. 3-D Daily
8:15 p.m. Friday
1:50 and 8:15 p.m. Saturday through Monday
8:15 p.m. Tuesday and Wednesday

“Avengers: Age of Ultron” PG-13
4:40 and 7:45 p.m. Friday
2:20, 4:40 and 7:45 p.m. Saturday through Monday
4:40 and 7:45 p.m. Tuesday and Wednesday
4:40 p.m. Thursday


May 29 to June 2

“Aloha” PG-13
4:50 and 7:30 p.m. Friday
2, 4:50 and 7:30 p.m. Saturday and Sunday
4:50 and 7:30 p.m. Monday and Tuesday

“San Andreas” PG-13
5:10 p.m. 3D Daily
8 p.m. Friday
2:20 and 8 p.m. Saturday and Sunday
8 p.m. Monday and Tuesday

”Tomorrowland” PG
4:40 and 7:40 p.m. Friday
1:45, 4:40, 5:35 and 7:40 p.m. Saturday and Sunday
4:40 and 7:40 p.m. Monday and Tuesday

“Poltergeist” PG-13
5:30 and 8:20 p.m. Friday
2:40, 5:30 and 8:20 p.m. Saturday and Sunday
5:30 and 8:20 p.m. Monday and Tuesday

”Pitch Perfect 2” PG-13
5 and 7:50 p.m. Friday
2:10, 5 and 7:50 p.m. Saturday and Sunday
5 and 7:50 p.m. Monday and Tuesday

“Mad Max: Fury Road” R
5:20 and 8:20 p.m. Friday
2:30, 5:20 and 8:10 p.m. Saturday and Sunday
5:20 and 8:10 p.m. Monday
5:20 p.m. Tuesday


“Aloha”
Comedy, drama, romance PG-13, 105 minutes
Bradley Cooper is terrific as a defense contractor working in Hawaii, reconnecting with an ex (Rachel McAdams) and charmed by a fighter pilot (Emma Stone). Brian respects the Hawaiian culture, and Allison is a flat-out spiritual devotee. There's lots of talk of various Hawaiian myths. We get a strange and beautiful occurrence late one night that may or may not have been an apparition. At times it does have the feel of a movie that's less than the sum of its parts, as it veers from a study of the complicated political history and rich cultural traditions of Hawaii to a commentary on filthy rich civilians using the military for their own gain to a romantic quadrangle, and what's with the colonel and his flying fingers, anyway? And there are some lovely musical interludes. Cameron Crowe has directed a great-looking movie with just enough bright spots to get us past the cloudy moments.
Rating: Three stars

— Richard Roeper, Universal Press Syndicate

“San Andreas"
Action, drama, thriller. PG-13, 114 minutes
Disaster movies, which pre-date the zeitgeist’s fascination with a world falling apart around us, are always great measures of the state of the Hollywood art of special effects. In “San Andreas,” you will believe the ground is rippling under Los Angeles, the cracking collapse of Hoover Dam and a tidal wave is submerging San Francisco. But what sells this formulaic corker of Apocalypse Porn is the cast. Paul Giamatti, as a Cal Tech seismologist who has just this minute uncovered a way to predict earthquakes, wears the horror of what he sees and what he knows is to come on his face.Carla Gugino and Alexandra Daddario let panic, grief and relief when the shaking ends wash over them in what feels like real time.“San Andreas” is a well-executed reminder of why we don’t need to fret over the zombie apocalypse when there are plenty of things Mother Earth can throw at us.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Tomorrowland"
Fantasy adventure, PG, 130 minutes
A girl discovers a futuristic parallel universe in this great-looking, old-fashioned, at times soaring adventure ultimately brought down by a needlessly convoluted plot, some surprisingly casual violence and heavy-handed lectures about how we're our own worst enemy. It's a bumpy, uneven ride, but "Tomorrowland" had just enough charm and excitement and visual treats that I was close to recommending it -- until a final series of scenes that reminded me of certain particularly schmaltzy TV spots, and I'll just leave it at that. Instead of dialing up the fun, the filmmakers piled on with the lecture. In the last few minutes of this movie, I was reminded of my days as a student, when the semester was over and it was the last day of school, and the teacher was still lecturing us as the final bell rang. Enough. We get it. We need to do better. Now can we get back to the flying cars?
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

“Pitch Perfect 2"
Musical, Comedy. PG-13, 115 minutes
The first "Pitch Perfect" was a surprise hit, thanks to an infectious soundtrack filled with instrument-free renditions of dozens of pop and hip-hop hits, an unabashedly life-affirming attitude and a winning cast, led by the ever-adorable Anna Kendrick. It was a pure confection of fun. The sequel to 2012's surprise hit about a cappella singers has a few wickedly funny one-liners and occasional moments of zany inspiration, but the musical numbers are often curiously dull, and there are far too many scenes that serve as time-killing filler and/or journeys into head-scratching, "What was THAT?" territory.
Rating: Three stars

— Roger Moore, Tribune News Service

“Mad Max: Fury Road”
Action. R, 120 minutes
"Mad Max: Fury Road" is a stunningly effective post-apocalyptic fable, a chilling and yet exhilarating daytime nightmare pitting blindly loyal and bloodthirsty half-humans against implausibly beautiful people clinging to their sense of morality while doing whatever they can to stay alive. In an action-movie world dominated by cartoonishly over-the-top CGI effects and rapid-fire quick cuts, it's exhilarating to see so many set pieces and battle sequences filmed in unbroken tracking shots, some breathtaking wide-angle views and visceral, gritty close-ups.
Rating: Four stars

— Roger Moore, Tribune News Service

“Ex Machina"
Drama, Sci-Fi. R, 108 minutes
“Ex Machina” is an “Island of Dr. Moreau” for the singularity era. It’s a cerebral, chilling and austere thriller that stokes our fears about digital privacy and artificial intelligence, a film that works largely thanks to a breakout mechanically empathetic turn by Alicia Vikander (“A Royal Affair,””Seventh Son”). The directing debut of writer-producer Alex Garland (“28 Days Later”) is a movie that’s another emphatic flag of caution about digitally surrendered privacy and digital submission to a fate Big Tech seems pre-ordained to sentence us to. Rating: Three stars

— Roger Moore, Tribune News Service

“Avengers: Age of Ultron”
Action, Adventure. PG-13, 141 minutes
"The city is flying, we're fighting robots -- and I've got a bow and arrow." -- Jeremy Renner's Hawkeye, giving a recruitment talk of sorts to Elizabeth Olsen's Scarlet Witch in "Avengers: Age of Ultron.” Any time a giant superhero movie makes time for self-referential humor, not to mention nods to "A Long Day's Journey Into Night" AND the graffiti artist known as Banksy, count me in.” Avengers: Age of Ultron" is a sometimes daffy, occasionally baffling, surprisingly touching and even romantic adventure with one kinetic thrill after another. It earns a place of high ranking in the Marvel Universe. Rating: Three and a half stars

— Richard Roeper, Universal Press Syndicate

“The Age of Adaline”
Drama, Romance, PG-13, 110 minutes
“The Age of Adaline” has grand ambitions to become a timeless romance and quite the cast, from Harrison Ford and Ellen Burstyn to Blake Lively, who has a genuinely winning screen presence. ''Tis a pity they're mired in a stunningly wrong-footed journey that begins with an attempt at bittersweet magic and ends on a series of sour and increasingly dopey notes. This is one of those movies that have you wondering: Long before the actors signed up and the locations were chosen and the sets were built and the filming began, how did someone not say, "Um, we have a big problem with this story”? The journey begins with an attempt at bittersweet magic and ends on a series of sour and increasingly dopey notes. Rating: One star

— Richard Roeper, Universal Press Syndicate

”Paul Blart: Mall Cop”
Action, comedy, PG, 94 minutes
"Detect, deter, observe, report," that's the mall cop's motto. But Blart, a lonely single dad smitten with the blond who sells hair extensions from a kiosk (Jayma Mays), always goes the extra mile, even when elderly customers are running him over with their scooters and obese women are giving him a beat-down or generally abusing him due to his lack of real authority. Blart instructs a rookie in the ways of the job,"giving the illusion that you have a gun" and the like. He is a master of his domain — he West Orange Pavilion Mall — and of the steed that carries him through it, a Segway.
Rating: Two stars

— Roger Moore, Tribune News Service

”Unfriended”
Horror, Thriller, R, 82 minutes
“Unfriended” is nothing to look at — just a notebook computer screen, pages folded into pages of a teenager’s night of instant messaging, video chatting, Google searching, music streaming, Youtube watching and Facebooking. A tale told in real time, it’s pretty uncinematic. But what it has is a great gimmick, a play on the meme “The Internet is Forever.” What if every digital indiscretion a group of Fresno high schoolers’ ever uploaded was accessed and shoved into their faces? What if the entity assaulting them, revealing their worst moments, their lies and infidelities, was someone they knew who was cyber-bullied to death?
Rating: Two stars

— Roger Moore, Tribune News Service

”Woman in Gold”
Historical, Drama, PG-13, 110 minutes
The artist is the Austrian icon Gustav Klimt, and his subject is Adele Bloch-Bauer, and the painting that resulted was "Woman in Gold," which was considered Austria's "Mona Lisa" and became the object of one of the most intense and widely publicized custody battles in the history of modern art. Simon Curtis' "Woman in Gold" is a shamelessly sentimental fictionalization of this true story, but it's a fascinating story nonetheless, beautifully photographed and greatly elevated by a brilliant performance from the invaluable Helen Mirren.
Rating: Two and a half stars

— Richard Roeper, Universal Press Syndicate

”The Longest Ride”
Drama romance, PG-13, 139 minutes
Here's the deal. Scott Eastwood, bearing a strong resemblance to his famous dad, Clint, circa the "Rawhide" days, plays Luke Collins, a dreamy, chisel-chinned, old-fashioned, aw-shucks-ma'am professional bull rider who has a death wish to conquer the notorious Rango, described as a monstrous beast who has thrown 99 consecutive riders, including Luke, who almost died on that fateful day.These Nicholas Sparks movies tend to get jumbled into one big cliche-riddled story. This time around, we get two romances -- one set in modern times, one dating back to the 1940s -- with a twist that's so ridiculous I think we're almost supposed to laugh.
Rating: Two stars

— Richard Roeper, Universal Press Syndicate

”Furious 7”
Action, PG-13, 137 minutes
This is one of the most ridiculous thrillers I've ever seen, but I have to admit I was entertained by the sheer audacity of the car chases and battle sequences — and there were even some genuinely touching moments. Note: "Furious 7" takes place immediately after the events of "Tokyo Drift," which was the third film in the franchise. The fourth, fifth and sixth movies take place chronologically between "2 Fast 2 Furious" and "Drift." When "Drift" was made in 2006, it was set in 2006, and the technology reflected that. Now we have "Furious 7," which is set right after the events of "Drift," but it's also set in 2015, with all the cutting-edge technology that implies. Headache!
Rating: Three stars

— Richard Roeper, Universal Press Syndicate

”Home”
Animated adventure, PG, 96 minutes
A little Jim Parsons goes a long way, and he grates on your nerves voicing an alien on the run with a smart seventh-grader (Rihanna). Kids will probably enjoy the colors and the music, but anyone over 10 will see the plot twists a mile away. Directed by Tim Johnson ("Antz") and written by Tom J. Astle and Matt Ember (adapting the 2007 children's book by Adam Rex), "Home" has a bright, candy-colored look, with a few nifty 3-D effects and some wonderfully detailed "sets."
Rating: Two and a half stars

— Richard Roeper, Universal Press Syndicate